I forgot what the whole applying for jobs process was like, having to update profiles all over the web on various different websites which advertise jobs in the creative industries. Started to breathe some new life into my Dribbble account and actually start making use of Behance.
Sadly, you won’t find many inspiring examples of websites which use CSS Shapes. That doesn’t mean that inspiration isn’t out there — you just have to look a little further afield at advertising, magazine, and poster design.
I’ve been thinking about my own web designs lately, and realising how often they can lack variation in the shape combinations I use. This is a great introduction in to using better art direction for the web, CSS shapes isn’t a technology I’m overly familiar with, perhaps its time to do some more learning.
The weather in Cheltenham the last few days has been glorious, it has a big effect on my mental health when the sun shines and I can have the big doors of my living room open to let the summer air in to my flat. It can also have a negative effect though, with the sun shining so brightly see stuff that I’ve not cleaned for a while and it makes me want to fix that.
This afternoon the sun caught one of my chairs in such a way that it showed up so much dirt I was horrified. I undid the cover to check if it had washing instructions, it did, and promptly put it in the washing machine. While that was in the wash I gave the frame a bit of a scrub as well, it’s getting a little worse for wear and could do with some more attention but it’s not in bad condition.
It got me thinking about how old the chair is. I’ve had it for somewhere in the region of 15 to 20 years, so it’s no surprise the frame is a bit rough in places. The chair is an IKEA Poäng and if I’ve had it that long it got me wondering how long IKEA have been selling it for. Turns out, according to this Fast.co article, the design of the chair is over 40 years old. I guess you could call it a bit of a design classic. The frame of the version I have is a little different to the ones you buy today, but the design is essentially the same, and it’s kind of comforting to know that timeless design pieces are still being produced and loved by millions around the world. It’s also nice to know, that in a world of throwaway products, some relatively inexpensive things can last a long time. The age of my chair is nothing compared to the one that the founder of IKEA has.
I’ve been reading Austin Kleon’s blog since January, I find the way that he speaks about his notebooks and how he uses them very inspiring. Today’s post is about his bulletin board and how he pins images, clippings, index cards, and various other bits to it for inspiration while he is writing a book.
The analog nature of lots of things that Austin does has really caught my attention. I love technology, but as a designer I also love objects and paper. When I was a student I covered the wall of my room in halls with bits of graphics that I liked. The whole thing turned into one giant collage of inspiration. That’s something I would like to get back into my creative life, something tactile and away from a glowing rectangle.
For me there’s no better combination than a coffee and design. The two seem to go together perfectly. They both require passion, precision, and craft to get the best results. I couldn’t resist linking to this Brand New’s showcase of a new logo, identity, and packaging for PT’s Coffee Roasting Co.. This is one thing I would love to do, a complete branding for a coffee roaster.
Brand New featured the New Logo and Identity for Dartmouth College designed by Original Champions of Design.
I really like the whole design, from the origins of the type used in the wordmark and the history behind the pine emblem. The execution is really well done and very considered in it’s execution, especially when you consider the number of departments and areas within a college the size of Dartmouth.
I really like the backstory and thinking behind the new logo and identity for Shakespeare’s Globe Theatre. It’s the kind of thinking and execution that branding designers dreams are made of.
Over on Six Colors Jason Snell speaks of his disappointment with Adobe’s iOS offering. I’ve long been disappointed with Adobe’s approach to the platform and I couldn’t agree more with his comments.
But it’s frustrating that Adobe has failed its core design customers to such a degree—and it’s also a big risk for Adobe. Photoshop commands a lot of space in the brains of many creative professionals, but a lot of those people want to use iOS. If Adobe provided them with fulfilling tools for iOS—ones that are as capable as what’s available on macOS and Windows—it could keep its customers loyal.
As a designer the iPad has always appealed to me as a means of creating. It seems like it should be the most intuitive way of laying up designs and drawing out ideas. The iPad Pro and Apple Pencil only served to enhance this idea for me. Yet Adobe continually fail to acknowledge that we could do serious work in an iPad. They keep serving up “mobile” apps instead of actually considering how an app like InDesign or Illustrator could function.
It took Microsoft years to bring Office to iOS, and in that time apps arrived to fill the gap they had left causing Office to lose mindshare. That’s now starting to happen to the Creative Cloud apps, Affinity Photo is excellent, and more than capable of growing in to the gap left by a lack of a fully fledged Photoshop. My hope is that other apps will rise up to fill the gaps left by a lack of full versions of Illustrator and InDesign or that Adobe gets its finger out and creates them.
This is a really insightful look into the process behind making an iPad app from an established iPhone app. As a designer I have some knowledge of designing for different screen sizes, but the behaviour of an app is very different to the behaviour of a website, albeit with some similarities. Before I begin any future web design projects I’ll definitely be giving this piece another read or two.